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Rag Argonauts

Caparison, 2024

Clothbound hardback, 148pp

As we voyage through the uncharted waters of the post-Covid 2020s to the scourge of war again on the European continent, and in the Middle East, a 'cost of living' (or 'greed') crisis of capitalism, a climate and refugee emergency, and an ever-increasing worldwide gap between the super rich and the super poor, we are in a period of ever scarcer resources, a 'ragtime' of a very different timbre to the syncopated rhythms popular during the hedonistic 'roaring' decade of a century ago. 

In Alan Morrison's twelfth volume of poetry, disparate and desperate characters across various time periods, classical to modern, real—ancient Greek orator Demosthenes, 20th c. Ukrainian clairvoyant Helena Blavatsky, Swedish artist and mystic Hilma af Klint, pioneering Slovakian psychiatrist Viktor Tausk, Hungarian composer Béla Bartók, trans-Atlantic poets T.S. Eliot and W.H. Auden—and less real—Harpies-persecuted Phineus of Greek mythology transposed as a benefit claimant preyed upon by the Department for Work and Pensions, demure contemporary spinster and budgerigar-keeper Regina Green,
death-tempted poet Parry Amphlett, and a Stochastic Parrot (AI large 
language model program) capable of sentient thought—navigate passages through ragged waters as randomly gathered 'rag argonauts'.

£16.00 incl. P&P (UK)

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€19.00 incl. P&P (EU)

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'This is the most personal and up-to-date of all the collections of Morrison’s that I’ve read. Although Rag Argonauts deals with societal corruption and injustice as always, the constant, lifelong misunderstandings and persecution related to his autism are a departure. In 'Casualties of Verse’ I was expecting to hear a reference to him – ‘that last-ditch attempt to fumble up the ladder of thought to futile song’ – yet it is there in the weft of the poem; and immediately afterwards in the ‘permanent shadow’ of 'Fox Shadow’. The marginalisation of the neurodivergent is ever-present: ‘one of countless psychical casualties of elliptical descriptors’ … ‘spiced with aperitifs of being’s bitter absinthe’ … ‘Sophistication’s thorny crown; worshipful tropes polishing despots’ posthumous reputations’… I enjoy the sense of outburst, of sudden, uncontrollable rage and contempt at society’s lack of humanity, how it consigns people who are ‘different’ to systems and ill-thought-out assessments by legions of box-tickers. It is like being in a thunderstorm, with flashes of lightning coming from all directions, nearer and closer then further away again. And so much more... Christopher Moncrieff

'Morrison writes long, information-rich poems … There is also a lot of autobiographical detail which feeds into the work, dealing with class, auto-didacticism, unemployment and the benefits system, education and mental health. This is all regular territory for those familiar with Morrison’s oeuvre and if you’re not already I’d suggest dipping in as he’s a poet to be reckoned with, both in terms of his unfashionable socialist viewpoint and his mix of ‘tradition’ and ‘modernism’ in relation to form and approach. …There’s an obsessiveness about his work, fuelled by anxiety which is part of its appeal. There is hard-won erudition here, not easily accessed and the embattled nature of his writing is clear to see… Here is a poet who is indeed a ranter, one of the most eloquent in fact… I love Morrison’s work and remain impressed by his output and endurance.' Steve Spence, Litter Magazine

 

'Rag Argonauts is ... a plangent work of symphonic scope, in which music, beauty, nature, compassion and spirituality provide a stirring counterpoint to the predominant themes of entrapment and despair...'

Naomi Foyle, London Grip 

'I read ‘Dendrochronology’ with the enjoyment that comes with our recognition of something true that has never been so economically and so trenchantly said before, to our knowledge. …Then I read the ‘Demosthenes’ poem. Lovely! Full of what Donald Davie called “articulate energy”. Well, all Morrison’s poems are similarly full. He has the skill, and the habit, of making every phrase count, stripping out flabby words and turns of speech that we might use in conversation, leaving only the high-octane stuff; but the marvel is, his poetry still reads as the ordinary language of ordinary folk, as old Wordsworth and his chum Coleridge recommended, only heightened, and thus rendered extraordinary. … I love his wide range of topics, all dealt with substantially—no vagueness, but always saying something worth saying, precisely, with words that command our full attention …with such energy of thought! Hugh MacDiarmid set out to write a "poetry of fact" but this was nowhere as successful... Morrison’s poem of fact is so honed, and so compact, and so full of life that it is pure poetry, as well as hard fact. Bravo! More!' David Betteridge

 

'...some poems that I really like - 'Far Sight' - and 'Casualties of Verse'…
I hope that this gets the success it deserves.' 
Merryn Williams

 

'There are some terrific poems in Rag Argonauts – ‘Bed-Written’, ‘Demosthenes at the Pharmacy’, ‘Berkshire Leaves’, ‘The Goldfish Bowl’ and ‘Hauntology’. ‘The Four Spoons of Phineus’ is brilliant.' Andy Croft


 

£22.00 incl. P&P
(Outside EU)

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